With it, you can rapidly begin your creation and offer them to friends and family straightforwardly, regardless of whether you are an entrant to video altering. It works on cutting-edge highlights to make them available to everybody. As a solid and intuitive video editor, Wondershare Filmora empowers you to make intricate and astonishing-looking recordings without any problem. Part 2 Find easier ways to add transitions for your video.Īfter learning how to add default transitions in Premiere, let’s explore alternative, easier ways to add transitions with Filmora. Thus, following the above steps you learned will answer how to add more transitions in Premiere Rush. There will be a mark clearly where you can place the Transition up the line between the clips.Īfter proper alignments, press Play to preview the final clip after transitions. Lastly, drag a transition into the timeline above, where two footages meet from the project panel. Keeping the cursor on the icon will show “Insert and Overwrite sequences as nests or individual clips” that, when clicked, will change the color blue to white and result in merging the clips. Every editor who works with interviews will find this a great new tool that will make their footage look better and possibly eliminate the need to re-shoot.There is an icon at the left corner that looks like a file hierarchy in the timeline. In some scenes, particularly those with the static background, the Morph Cut transition will seamlessly eliminate jump cuts, but you may have to experiment to get there. The tutorial that accompanies this article demonstrates the challenges and workflow for tweaking and fine-tuning a Morph Cut transition to get better results when you have only a few frames to work with. This may take several iterations, and you’ll need to watch (and listen) carefully to make sure you don’t lose audio sync at all during the transition, or distort the video. In any case, to get a perfect result, you’ll have to juggle at least two factors: where you cut your two clips, and the duration of the transition. So leave yourself some wiggle room on both sides of the cut. That is, if the speaker talks until the very end of the first clip, and starts right up at the beginning of the second, it may be challenging to create a smooth transition. One key limiting factor on the morph cut is how much space it has to work with on each side of the cut. You can see how natural the effect can make some cuts look around the 2:14 mark of the tutorial video at the bottom of this page. Once the analysis is finished, you probably want to render the entire work area so it will play smoothly. Then Premiere Pro analyzes the clips.Īnalysis time depends upon the speed of your computer, and it takes anywhere from 30 to 60 seconds on my old 8-core old Mac Pro. As with any transition, you can center it or place it on either side of the cut. To apply a morph cut, go to Effects and type “morph” into the search field, or navigate to it in the Video Transitions > Dissolves folder, and drag it onto your timeline where you want to apply it. The new Morph Cut transition will help you smooth your cut without requiring you to resort to any of these traditional workarounds. You want to transition between the now-adjacent clips without a jarring jump cut where your speaker’s head obviously moves, and you don’t want to try to cover it up by applying an awkward transition or reframing the shot. Let’s say you have a cut in your timeline where you’ve removed a digression or unwanted word or phrase from your interview. It’s also a problem when you edit content out of a particular clip, and that’s the process I’ll use to demonstrate the feature in the tutorial video at the bottom of this page. When you have to piece together different components of an interview, they don’t always match up. If you’ve shot and edited interviews, you’ve doubtless dealt with jump cuts. In this tutorial I'll demonstrate the Morph Cut transition, a key new feature in the 2015 release of Adobe Premiere Pro CC.
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